Future of the Novel
This chapters discusses many intriguing topics that breaks away from linear thinking in which the viewer must think conceptually and creatively, further challenging their minds. This consists of re-arranging old ideas and examining your past to create new ways. We should learn and catch up with past techniques in order to develop different perspectives and viewpoints. He also expresses a "fold in" method, in which we are continuously working backwards to progress for forward. One must observe the repetitions in order to allow rearranging and re-establishing new ideas. However, is this clear? Does the public get bored of the past and therefore challenges the creation?

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